Showing posts with label Fela Kuti. Show all posts
Showing posts with label Fela Kuti. Show all posts

1.02.2009

The Pratt Songs Best of 2008

It's time for another list. In 2008, I posted a total of 84 reviews of CDs and/or LPs that are available from Baltimore's library, the Enoch Pratt Free Library. In no particular order, here are 10 of those 84 albums that have stuck with me.

  • Various Artists: Mountain Music of Kentucky -- I've listened to some difficult music this year, and I think it's fair to say that no CD presented me with more challenges and rewards than this one. This is about as naked as music can possibly be. And by naked, I don't mean supermodel naked, I mean naked the way most of us look without any clothes: completely flawed, yet absolutely beautiful.

  • Kings of Leon: Aha Shake Heartbreak -- Of every rock album I heard for the first time this year, nothing won my heart the way Aha Shake Heartbreak did. This album possesses nearly everything that makes rock music wonderful.

  • Lord Invader: Calypso in New York -- This record completely changed my mind about calypso, and began a year-long journey into an incredibly compelling style of music. Anybody who truly loves hip-hop should give this a listen, because the parallels between hip-hop and calypso are fascinating.

  • Harry Belafonte: Belafonte Returns to Carnegie Hall -- I love it when I'm forced to change my opinion on an artist, and this record forced me to change my opinion about Harry Belafonte. I'd previously dismissed the man as a musical and social lightweight, a provider of fluff for the masses. In truth, the man was incredibly courageous, both musically and socially. No, his calypso doesn't move me the way Lord Invader's does, but Belafonte is truly a heavyweight.

  • Various Artists: Nicky Siano's Legendary "The Gallery" The Original New York Disco 1973-1977 -- About 10 years ago, I learned about the differences between original underground disco and the corporate swill that was spoon fed to the masses throughout the '70s. It wasn't until I stumbled onto this gem at the EPFL, however, that I discovered Nicky Siano. This is a fantastic CD that captures the original spirit of disco.

  • Moby: Play -- This CD proves that musical genres are meaningless, and maybe we should spend more time categorizing our music as either "good" or "not so good."

  • Fela Kuti: The Underground Spiritual Game -- An intriguingly simple summary of Fela's incredibly complex music.

  • Lead Belly: Keep Your Hands Off Her (a.k.a. Leadbelly Sings Folk Songs) -- It shouldn't have taken me nearly 40 years to find Lead Belly, but I'm thankful I finally got around to listening to him. No single artist commanded more of my attention this year than Lead Belly. This collection is a concise and interesting introduction to a great musician.

  • Mclusky: The Difference Between You and Me Is that I'm Not on Fire -- I played this CD expecting bad emo. Instead, I got one of the most energetic and exciting albums I heard all year.

  • Horace Andy: Dance Hall Style -- Dance Hall Style was not only my favorite of the half-dozen reggae albums I reviewed this year, but it's become one of my very favorite reggae albums, period.


There were three albums I reviewed in 2008 that have been on my personal "favorite albums" list for years: U2 Pop, The Postal Service Give Up, and Death Cab for Cutie Plans. Since these albums weren't new to me in 2008, they weren't really candidates for this list. All three, however, are very strong albums that deserve a listen. Particularly the U2 record: it was largely dismissed by critics and fans alike, but the last three tracks on Pop are as good as anything the band ever wrote.

Finally, an honorable mention goes to Goldfrapp Seventh Tree. It's a very dull album, but "A&E" is one of the best songs I heard in 2008.

Thanks for reading. If real life doesn't consume too much of my time and energy, I look forward to hearing and reviewing another 80 or 90 CDs from the EPFL this year!

5.07.2008

Fela Kuti: The Underground Spiritual Game

I said this last time I reviewed a Fela Kuti album, and I'll say it again: If you love music and haven't heard Fela Kuti, you should check this out.

Fela Kuti isn't widely known, but he had an immense influence on pretty much every style of music created in the past few decades, be it jazz or funk or hip-hop or rock.

The Underground Spiritual Game is Fela Kuti as mixed by Chief Xcel from Blackalicious. Xcel obviously cares about Fela's music, and everything from the song selection to the sound quality makes it obvious that this album was a serious labor of love.

Music: 4.5 EPFL library cards out of a possible 5
These aren't remixes in the sense that most of us think of the word "remix." There are no breakbeats or house vocals or James Brown samples. Instead, Chief Xcel picked a diverse set of Fela songs, pulled out the integral parts of each, and put them together in a continuous mix. It's a really neat way to hear Fela for a few reasons: First, the song selections are far more varied and obscure than they'd be for a best-of collection; second, the songs blend together in unexpected ways that highlight the similarities and differences of each track; third, Xcel must've worked some kind of sonic magic, because these recordings have a clarity that I've never heard in Fela's music. This is a good set for either seasoned Fela fans or for newbies who want to discover the richness of the man's music.

Packaging: n/a (altered by EPFL)
All that's left from the original package are the front and back covers and what might be the back of the jacket. The design is nice but ultimately forgettable. I wish the liner notes were here, because I'd love to know if Chief Xcel wrote about how and why he reworked these songs.

Listen if you like: Honestly, if you like any real music from the past 50 years, you should check this out. It doesn't really matter if you're a rock fan, a hip-hop fan, or a jazz fan because it was all influenced by Fela Kuti.

If it were food, it'd be: I've got to step outside of Baltimore for this one. There used to be a Nigerian restaurant in Oakland called the Museum Kitchen, where you could get all sorts of veggie and meaty foods. Like the mixture of Fela Kuti and Chief Xcel, it was a mixture of Nigeria and America. Alas, like Fela, it's no longer with us.

10.30.2007

Fela Kuti: The Best Best of Fela Kuti

If you love music and haven't heard Fela Kuti, you should check this out.

Fela Kuti wasn't a rock musician, but his music rocks. It is passionate and exciting, and like the greatest rock music, it feels like it could lose control and explode at any moment. His music is both chaotic and controlled, and there is always fire simmering just beneath the surface. He was a very influential man in both rock and jazz, and although his name isn't widely known, his presence can be felt in virtually every style of popular music.

Music: 4 EPFL library cards out of a possible 5
This isn't necessarily a 4-star collection, but it's tough to make a "best of" for an artist like Kuti. Seminal Fela tracks like "Lady," "Zombie," and "Coffin for Head of State" are included. More than half of the songs on this two-disc set have been edited, but since this is presumably an introduction, that was a reasonable decision and each edit maintains the essence of the original song. My only complaint is that one or two of the (relatively speaking) less exciting tracks could've been sacrificed to make room for something from Fela Ransome-Kuti and the Africa '70 with Ginger Baker - Live!, a stellar live album featuring the drummer from Cream.

Packaging: n/a (Damaged)
It's a shame that the booklet is missing most of its pages, because it looks like it offered a good overview of Fela Kuti and each of the songs. There's enough text in the EPFL copy, though, to give an idea of the demons and desires that drove this man, both musically and politically.

Listen if you like: Red Hot Chili Peppers, Kanye West, Sun Ra, Bad Brains, Bob Marley, Talking Heads, Public Enemy, The Clash, Billy Bragg, Ornette Coleman, The Good The Bad & The Queen, James Brown, etc.

If it were food, it'd be: Some imaginary food that combines efo (a Nigerian stew made from leafy green vegetables) with fried chicken and hamburger and good lager and hot peppers and fresh corn and potatoes and about a thousand other ingredients from all over the world, and somehow it all tastes delicious and when you're done eating, you're a little bit smarter and a little bit tougher and a little bit sexier and a little bit closer to starting a revolution that will tear down injustice and replace it with truth.